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50 New Free High-Quality Icon Sets (with Easter Icons!)

April 11, 2010 in Featured weBlogs by admin


  • Smashing-magazine-advertisement in 50 New Free High-Quality Icon Sets (with Easter Icons!)
     in 50 New Free High-Quality Icon Sets (with Easter Icons!)  in 50 New Free High-Quality Icon Sets (with Easter Icons!)  in 50 New Free High-Quality Icon Sets (with Easter Icons!)

    Today we are pleased to provide our readers with a yet another round-up of high-quality icon sets. Below, you will find free sets covering a wide range of subjects, including Easter and food sections. Please read the license agreements carefully before using the icons, and feel free to follow the links: they will certainly come in handy when you’re designing a new website or looking for inspiration.

    Please notice that we do know that round-ups of icon sets are getting old; but because these round-ups are always useful and handy, we are keeping doing them. Most of the icons featured below are new, some are a bit older. Let us know if you’d like to have more or less similar round-ups in the comments to this post. Thank you!

    You can also scan our other icon-related articles:

    [Offtopic: By the way, did you know that Smashing Magazine has a mobile version? Try it out if you have an iPhone, Blackberry or another capable device.]

    Easter And Food Icons

    Free Easter Icons
    Easter being so close, I thought you might want a couple of free icons to decorate your website: a cute Easter bunny and an Easter egg. In the ZIP file for the Bunny and Egg Easter Pack. you’ll find transparent PNGs for an Easter rabbit, a rabbit holding an RSS icon, a rabbit holding an Easter egg and a rabbit holding an RSS icon and an egg. You will also get the Easter egg in the same size as the icon of the rabbit displayed above.

    168 in 50 New Free High-Quality Icon Sets (with Easter Icons!)

    Happy Easter Icon Set
    Four icons in resolutions ranging from 16×16 to 512×512 pixels.

    Oster in 50 New Free High-Quality Icon Sets (with Easter Icons!)

    Easter Bunny Icons
    44 cute Easter icons that you can use for web and print design. Icons include: bunnies, birdies, Easter eggs, and candy bars. You can use them to spirit up your blog themes or to design your Easter postcards and invitations. The icons are available in vector PDF format, meaning you can resize them to any size to fit your design.

    44 in 50 New Free High-Quality Icon Sets (with Easter Icons!)

    No Ordinary Easter Eggs Icon Set
    Six transparent icons in the resolution 512×512 pixels.

    Easter in 50 New Free High-Quality Icon Sets (with Easter Icons!)

    Yummy: Icon Eden
    Yummy is a set of delicious, tasty and beautiful free icons. It has 20 icons in various sizes, from 48×48 to 128×128 pixels. Also included are scalable and editable vector icons.

    Jummy in 50 New Free High-Quality Icon Sets (with Easter Icons!)

    Apple Mug Icons and Extras

    Cups in 50 New Free High-Quality Icon Sets (with Easter Icons!)

    Valentine’s Day Icons

    Honey in 50 New Free High-Quality Icon Sets (with Easter Icons!)

    Donut Box
    Nothing is tastier than fresh donuts, as any law enforcement official would tell you.

    Donuts in 50 New Free High-Quality Icon Sets (with Easter Icons!)

    Fruits Illustrated
    Fourteen colorful fruits. This icon set includes strawberry, banana, blackberry, peach, apple, watermelon, grapes, kiwi, coconut, orange, lemon, lime, cherries and a special orange.

    Fruit in 50 New Free High-Quality Icon Sets (with Easter Icons!)

    Useful Icon Sets

    ComFi Telecom Icons
    ComFi created a specific telecom icon set in 32×32 pixels. Some icons could have a more general application, such as the ones for receptionist, feedback, guarantee, help. Others not so much: Wi-Fi, VoIP, VPN, Bluetooth.

    152 in 50 New Free High-Quality Icon Sets (with Easter Icons!)

    Icons

    142 in 50 New Free High-Quality Icon Sets (with Easter Icons!)

    Design Cartons Free Icon Set for Designers
    Here are five high-quality icons of boxes and cartons that you can use to announce the launch of a new application or on your portfolio website. There is plenty of space to add your own flavor to the graphics, like your name, an important date, a blog name or app name. These icons are free for personal and commercial use. They come in two sizes, 512×512 and 256×256 pixels, and are in PNG format.

    Icons-02 in 50 New Free High-Quality Icon Sets (with Easter Icons!)

    Notes Icons
    Pack of icons, PNG, ICO and ICNS, including notebooks of various size.

    Notes in 50 New Free High-Quality Icon Sets (with Easter Icons!)

    User Center Calendar

    User in 50 New Free High-Quality Icon Sets (with Easter Icons!)

    Pixel Perfect
    55 free user icons. Generate a template (between 400 and 700 pixels in width) that matches your blog’s color and width.

    Icons-03 in 50 New Free High-Quality Icon Sets (with Easter Icons!)

    Once
    A set of general-purpose icons in PNG format (48×48 pixels).

    Icons-04 in 50 New Free High-Quality Icon Sets (with Easter Icons!)

    Help
    A set of icons inspired by a help icon that belonged to the artist Everaldo.

    Help in 50 New Free High-Quality Icon Sets (with Easter Icons!)

    nixus
    60 icons in resolutions of 32×32, 48×48 and 64×64 pixels.

    Nexus in 50 New Free High-Quality Icon Sets (with Easter Icons!)

    Colorful Panel Icons
    Simple colored icons.

    Apps in 50 New Free High-Quality Icon Sets (with Easter Icons!)

    32px Mantra
    This 32 pixel icon pack consists of approximately 50 icons.

    129 in 50 New Free High-Quality Icon Sets (with Easter Icons!)

    This Is Art Icons
    Icons optimized for v5.0 of Officinadigitale.co.cc (coming soon).

    130 in 50 New Free High-Quality Icon Sets (with Easter Icons!)

    Cartoon Icons
    The package includes icons in resolutions of 256×256 and 512×512 pixels and in the formats of .ico (256 pixel only), ICNS, PNG and iContainer.

    Oldie in 50 New Free High-Quality Icon Sets (with Easter Icons!)

    Breathe
    Breathe is a replacement icon set for the Android OS, inspired by the iPhone’s rounded icons.

    Icons-05 in 50 New Free High-Quality Icon Sets (with Easter Icons!)

    Project Icons
    A pack of 17 icons, 32 pixels only. Available in PNG, ICO, ICNS and as pasted icons.

    146 in 50 New Free High-Quality Icon Sets (with Easter Icons!)

    Areskub
    By Stephane Reverdy

    149 in 50 New Free High-Quality Icon Sets (with Easter Icons!)

    Alias Badges
    “Tag” style alias icons, inspired by Georg Rebensteiner’s alias replacement icons. It has just a small rectangle with a single letter on it, instead of the whole word “Alias.”

    150 in 50 New Free High-Quality Icon Sets (with Easter Icons!)

    Free Weather Icons
    16 icons in a resolution of 24×24 pixels. Available in PNG, ICO, TIF, GIF and BMP formats. Freely available for commercial and non-commercial projects.

    Weather in 50 New Free High-Quality Icon Sets (with Easter Icons!)

    Iconlicious
    Royalty-free toolbar icons.

    Iconlicious in 50 New Free High-Quality Icon Sets (with Easter Icons!)

    Detailed 3-D Icon Set

    Loot in 50 New Free High-Quality Icon Sets (with Easter Icons!)

    Oxe Icons Set
    18 PNG icons.

    Oxeset in 50 New Free High-Quality Icon Sets (with Easter Icons!)

    Mac Application Icons and Extras
    Five icons in resolutions ranging from 64×64 to 512×512 pixels, in PNG and ICNS formats.

    Mac in 50 New Free High-Quality Icon Sets (with Easter Icons!)

    Mobile Icons

    Free Mobile Berries (registration required)
    This set consists of 80 64×64 pixel icons for websites GUIs, mobile applications and presentations.

    Icons-00 in 50 New Free High-Quality Icon Sets (with Easter Icons!)

    New HTC Sense UI 2.1 Icons
    Official icons from the newest HTC Sense UI Android 2.1. 20 PNG icons in 48×48 pixel resolution, plus five icons in PNG format at 128×128 pixel resolution. Use BetterCut to apply them.

    Icons-06 in 50 New Free High-Quality Icon Sets (with Easter Icons!)

    Android Icon Set
    Android application icons, Part 2. 34 PNGs at 600×600 pixels.

    145 in 50 New Free High-Quality Icon Sets (with Easter Icons!)

    User Interface Icons

    Gesturecons Multi-Touch Icons
    These vector-based icons aid in the design, development, implementation and promotion of multi-touch interfaces, as well as in the creation of wireframes, digital help files and printed documentation. You could also use Gesturecons in applications to demonstrate how to complete tasks or to prompt users to interact with the application as they approach it. Swap symbols to create your own icons. Because these are scalable vector shapes, you can scale them to any size and alter them any way you wish. Use your favorite vector graphics application to edit.

    Gestures in 50 New Free High-Quality Icon Sets (with Easter Icons!)

    User Interface Icon Sets
    Gesturecons is a unique icon set featuring hands that perform 35 different multi-touch actions. This set will be useful for those creating iPhone and Google Android apps. The icons are in vector format, so they can be resized easily and used in tutorials and help guides for multi-touch devices.

    197 in 50 New Free High-Quality Icon Sets (with Easter Icons!)

    E-Commerce and Payment Options Icons

    Pos Machine Icons

    182 in 50 New Free High-Quality Icon Sets (with Easter Icons!)

    Exclusive Payment Method Icon Set
    This set contains six icons and includes a choice of eight different sizes: 12×12, 16×16, 24×24, 32×32, 64×64, 128×128, 256×256 and 512×512 pixels. The icons are entirely free for personal or commercial use.

    183 in 50 New Free High-Quality Icon Sets (with Easter Icons!)

    Payment Icons
    Free collection of popular credit card, debit card and payment icons in PNG format. The icons come in three different sizes, with both curved-edge and straight-edge versions that would look great on any website!

    189 in 50 New Free High-Quality Icon Sets (with Easter Icons!)

    Pictograms

    8 Free Pictogram Icon Libraries and Collections
    Here is a collection of 50 professionally designed common signs. The icons are free and available in OpenType font format, allowing you to easily add symbols to your sign and way-finding designs. The pictograms are all commonly used signs for public services such as restrooms, telephones, first aid, elevators, information, restaurants, coffee shops, no smoking, baby, recycling, shower, reception desk and much more.

    186 in 50 New Free High-Quality Icon Sets (with Easter Icons!)

    DOT Pictograms
    68 free pictograms icons in PNG, ICO and ICNS.

    151 in 50 New Free High-Quality Icon Sets (with Easter Icons!)

    Beautiful General Icon Sets

    MODEEEERN Icon Set
    “The concept for this icon set popped into my head in Art History class, studying the modern art movement, Bauhaus, post-modern art, etc. I was impressed by them, so, I decided to create a super-unique icon set. These icons may look like some vibrant color patched together, but they were actually designed. For example, the Photo icon is a round shape within another round shape that refers to a camera’s aperture.

    Modern in 50 New Free High-Quality Icon Sets (with Easter Icons!)

    El Bandito
    Because you know you’re a bandit on the inside. The bandit icon comes in eight of your favorite delicious colors, complete with 16×16, 32×32, 64×64, 128×128, and 256×256 pixel versions, optimized for each size.

    Bandito in 50 New Free High-Quality Icon Sets (with Easter Icons!)

    Fungiiiiiii Iconset
    Designed to look futuristic retro (with red-cream and black), these icons turned out to be creepy in the end. That’s a good thing.

    Red in 50 New Free High-Quality Icon Sets (with Easter Icons!)

    Icons: Porn Needs You
    An assortment of icons from past work. 180 icons in total, 70 general icons, 60 folders and 50 vertical folders. Currently only in 256×256 pixel PNG format. Some are easier to use than others.

    166 in 50 New Free High-Quality Icon Sets (with Easter Icons!)

    Warm Regards Bar
    Three flavours, chocolate, strawberry and vanilla, in three formats, PNG, ICO and ICNS.

    Ice in 50 New Free High-Quality Icon Sets (with Easter Icons!)

    Cigarette Packet
    Three icon sets in 256×256 pixel resolution and coming in PNG ICO and ICNS.

    Cigarettes in 50 New Free High-Quality Icon Sets (with Easter Icons!)

    Women Icons
    These icons are available as transparent PNGs at 256×256 and 128×128 pixels, and they are free for personal use. The set includes lipstick (two colors), vanity mirror, bottle of perfume, bracelet, aquamarine pendant, fountain pen, notepad, pocket calendar, wallet, handbag and silk scarf.

    Woman in 50 New Free High-Quality Icon Sets (with Easter Icons!)

    House
    Download the ZIP file to get the PNG file in 512×512 pixels.

    House in 50 New Free High-Quality Icon Sets (with Easter Icons!)

    Icon Design “Castle”
    A design castle available in two sizes, 256×256 and 128×128 pixels.

    Castle in 50 New Free High-Quality Icon Sets (with Easter Icons!)

    Umbrella
    A pack of icons (825×750 pixels), including umbrellas of various sizes.

    Umbrella in 50 New Free High-Quality Icon Sets (with Easter Icons!)

    Touchscreens That Changed the World
    These icons are for personal non-commercial use only.

    Gui2 in 50 New Free High-Quality Icon Sets (with Easter Icons!)

    “The” Lens
    Awesome set of lens icons for non-commercial, personal and student projects. Get written consent if you want to use them.

    199 in 50 New Free High-Quality Icon Sets (with Easter Icons!)

    Briefcase

    198 in 50 New Free High-Quality Icon Sets (with Easter Icons!)

    Printer: Brother Mfc-410cn
    The ZIP contains icons in both ICNS and PNG format (512×512 pixels).

    Brother in 50 New Free High-Quality Icon Sets (with Easter Icons!)

    Iomega Ultramax
    The ZIP contains icons in both ICNS and PNG format (512×512 pixels).

    Iomega in 50 New Free High-Quality Icon Sets (with Easter Icons!)

    Camera: Sony Alpha 380
    Icon of the Sony Alpha 380 camera, in various sizes (512×512, 324×324, 256×256, 128×128, 64×64 and 58×58 pixels).

    132 in 50 New Free High-Quality Icon Sets (with Easter Icons!)

    Daft Punk Helmets
    Set of 18 icons of the Daft Punk helmets (512×512 pixel resolution, and in ICO, ICNS and iContainer formats).

    133 in 50 New Free High-Quality Icon Sets (with Easter Icons!)

    DeviantART Creative Icon
    In 512×512, 256×256, 128×128, 64×64 and 48×48 pixel resolutions.

    134 in 50 New Free High-Quality Icon Sets (with Easter Icons!)

    Ironman Icon Pack

    131 in 50 New Free High-Quality Icon Sets (with Easter Icons!)

    CANON 500D ICON

    138 in 50 New Free High-Quality Icon Sets (with Easter Icons!)

    Umbrella Icon
    A set of umbrella icons in various sizes.

    140 in 50 New Free High-Quality Icon Sets (with Easter Icons!)

    Suitcase Icon

    141 in 50 New Free High-Quality Icon Sets (with Easter Icons!)

    IconTexto: IconTexto Blu-ray Discs
    Free Windows Vista icon pack for your website or application. Ten icons in PNG, ICO and ICNS formats (256×256, 128×128, 48×48, 32×32, 16×16).

    161 in 50 New Free High-Quality Icon Sets (with Easter Icons!)

    Icon Library, Iconshock blog
    Put these on your desktop to remind yourself each day how important these environmental efforts are.

    Green in 50 New Free High-Quality Icon Sets (with Easter Icons!)

    Centigrade
    The set contains 60s. Most of them are at 32×32 pixels, making them great for desktop or rich Internet applications in the medical domain. To put a cherry on this pie, Centigrade also created some great-looking versions at 128×128 pixels, too. With perspective and reflective effects, these are real stunners on landing pages or touchscreen application menus. All icons come as PNG files in 32-bit color.

    Centi in 50 New Free High-Quality Icon Sets (with Easter Icons!)

    Social Icon Sets

    social moleskin icon
    Moleskin icons for RSS, Twitter, Delicious, Stumbleupon and Facebook. They come in 256×256 pixel resolution and are in PNG format.

    Icons-01 in 50 New Free High-Quality Icon Sets (with Easter Icons!)

    Social Trucks Icons
    An icon set created for the well-known blog Hongkiat, which is aimed at tech users, designers and bloggers and which is also in the Smashing Network. There are 10 colorful, spacious and unstoppable social trucks, coming in at a whopping 512×512 pixel resolution.

    Truck in 50 New Free High-Quality Icon Sets (with Easter Icons!)

    Professional Buddy Icon
    This ZIP file contains icons in five sizes (512×512, 256×256, 128×128, 64×64 and 32×32 pixels).

    Buddy in 50 New Free High-Quality Icon Sets (with Easter Icons!)

    Friendfeed Icons

    Ff in 50 New Free High-Quality Icon Sets (with Easter Icons!)

    IconTexto: Google Buzz Kit
    Free Windows Vista icon pack for your website or application. Five icons in PNG, ICO and ICNS format (256×256, 128×128, 48×48, 32×32, 16×16).

    160 in 50 New Free High-Quality Icon Sets (with Easter Icons!)

    Lontar Icons
    A set of free social icons, available in PNG only.

    175 in 50 New Free High-Quality Icon Sets (with Easter Icons!)

    24 Free Exclusive Google Buzz Icons
    Google Buzz had a loud and controversial launch in February, shrouded in privacy issues and other concerns. Like it or not, Google Buzz is here to stay, and many blogs have added Buzz icons to their posts. Here is a free and exclusive set of icons for Buzz. The set includes 24 beautiful icons in raster and vector formats. They are completely free for personal and commercial use. You are just asked to link back to Webdesigner Depot if you use them.

    Buzz in 50 New Free High-Quality Icon Sets (with Easter Icons!)

    OLED Social Icons
    This is an experiment with the OLED style. Basically, every icon is a 16×16 pixel OLED display, with glowing dots and stuff.

    173 in 50 New Free High-Quality Icon Sets (with Easter Icons!)

    Vector Social Media Icons
    This free set includes 50 icons from the most popular social media networks. The icons are designed in 32×32 and 16×16 pixel resolution. The ZIP package gives you three different file formats: vector EPS, PNG and GIF.

    179 in 50 New Free High-Quality Icon Sets (with Easter Icons!)

    (al)


    © Smashing Editorial for Smashing Magazine, 2010. | Permalink | 79 comments | Add to del.icio.us | Digg this | Stumble on StumbleUpon! | Tweet it! | Submit to Reddit | Forum Smashing Magazine
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by admin

Desktop Wallpaper Calendar: April 2010 (Easter Edition)

April 11, 2010 in Featured weBlogs by admin

by admin

The Ultimate Guide To Cloning In Photoshop

April 11, 2010 in Featured weBlogs by admin


  • Smashing-magazine-advertisement in The Ultimate Guide To Cloning In Photoshop
     in The Ultimate Guide To Cloning In Photoshop  in The Ultimate Guide To Cloning In Photoshop  in The Ultimate Guide To Cloning In Photoshop

    Photoshop’s wide array of cloning tools is the cause of many of the absolute best and worst works created with the application. In a skilled and experienced hand, these tools lead to phenomenal results. In the hands of a careless artist, Photoshop cloning can be disastrous to the credibility of the result. This article introduces the several cloning tools available in Photoshop and goes over the proper usage and best practices of each.

    [Offtopic: by the way, did you know that Smashing Magazine has one of the most influential and popular Twitter accounts? Join our discussions and get updates about useful tools and resources — follow us on Twitter!]

    The Clone Stamp Tool

    The Clone Stamp tool is the oldest and most widely known of the cloning tools. The basic concept is that you duplicate certain portions of an image using a source, destination and brush.

    2-sourceset in The Ultimate Guide To Cloning In Photoshop
    Use the “Option” key (”Alt”) to set the source.

    To clone out the name on the tombstone above, you would select a source that shares the texture of the area you want to replace. In this case, the area around the words provides an ample source of stone texture from which to clone.

    To begin, simply click on the preferred source area while holding down the “Option” key (”Alt” on a PC). Then, with no keys held down, begin painting over the area you want to replace. The image area from the source will be transferred to the destination.

    To be able to use this tool effectively, let’s look at the relevant settings.

    Basic Settings: Brush

    Below, you’ll find the default settings when the clone stamp is selected.

    1-clonestamp in The Ultimate Guide To Cloning In Photoshop
    The clone stamp’s basic settings.

    The first setting you’ll want to familiarize yourself with is for the brush. Photoshop does not restrict cloning to a basic default brush. Instead, it allows you to use any brush you want, allowing you to create an unlimited number of effects. In the example above, and in most cases in fact, a small to medium-sized round soft brush gives the best result.

    3-hardvssoft in The Ultimate Guide To Cloning In Photoshop
    A hard brush creates noticeable seams.

    As you can see, a hard brush often creates visible edges along the path of the clone. The transition is much smoother on the left side, where a soft brush was used. Both sides suffer from noticeable replication, but this was intentional to exaggerate the cloned area. We’ll discuss how to avoid this later.

    As stated, while a soft round brush is recommended for basic cloning, a number of interesting effects can be created using alternate brushes. For instance, below I’ve used a scatter brush shaped like a leaf to add some visual interest to the photo.

    4-scatterbrush in The Ultimate Guide To Cloning In Photoshop
    Use a scatter brush to create interesting particle effects.

    Experiment with the opacity, blending mode and brush flow for an even wider variety of results. For more information on using these features, check out the article “Brushing Up on Photoshop’s Brush Tool.”

    Basic Settings: Sample

    Under the “Sample” menu are three options: Current Layer, Current & Below and All Layers. These options affect the area you are sourcing. Here’s a visual illustration of how each mode works:

    5-sample in The Ultimate Guide To Cloning In Photoshop
    The area cloned depends on the selected layer and sample mode.

    As you can see, with Current Layer selected, the clone stamp ignores pixel data contained in any other layer. Conversely, All Layers ignores all layer distinction and clones any visible pixels in the document (invisible layers will be ignored). Finally, Current & Below samples pixels from the selected layer and any visible layers behind it.

    Basic Settings: Adjustment Layers

    The final basic setting (the circle with a diagonal line through it) lets you decide whether the clone stamp tool should sample adjustment layers when cloning. Adjustment layers, such as Hue/Saturation and Levels, are meant to be a non-destructive way to change the appearance of layers. So, you can make drastic changes to a layer or group of layers without destroying the original pixels.

    Because of this, turning on Ignore Adjustment Layers When Cloning is almost always a good idea. This allows you to clone the original image, which can then be affected by an ever-changeable adjustment layer. If you do not choose to ignore the adjustment layer, the adjustment becomes permanent in the cloned areas.

    In the layer set-up below, turning on Sample All Layers would by default clone pixels from both the background layer and the adjustment layer in the foreground. Turning on Ignore Adjustment Layers prevents this.

    6-adjustmentlayer3 in The Ultimate Guide To Cloning In Photoshop
    You can choose to ignore adjustment layers when cloning.

    The Spot Healing Brush

    As you can see below, the Spot Healing Brush tool is located under the Eyedropper tool and above the Brush tool, and it can be accessed quickly by hitting J on the keyboard.

    7-spothealingbrush in The Ultimate Guide To Cloning In Photoshop
    Type J to bring up the Spot Healing Brush.

    The Spot Healing Brush is by far the simplest cloning tool in Photoshop. With little to no experience, you can repair small areas of an image. The secret to using the tool is in the name: Spot Healing. The tool is intended not for large areas of replacement, but rather to remove little unwanted spots, such as a scratch on an old photograph or a mole on a person’s face.

    To use the tool, simply hover over the area you want to replace and click once. Photoshop does all the work by examining the pixel data around the spot and seamlessly integrating the data into the destination.

    9-beforeafter in The Ultimate Guide To Cloning In Photoshop
    The Spot Healing Brush is perfect for repairing old photographs.

    As you can see above, the tool does a remarkable job of not leaving behind any noticeable artifacts or repeating patterns. The trick is to go slowly and work on very small portions of the image. Select a spot to fix, and use a brush that’s only slightly bigger than the selected imperfection. The larger the brush, the more likely you are to clone unwanted portions of the surrounding area, and the more noticeable the repetition of pixels will be.

    8-smallbrush in The Ultimate Guide To Cloning In Photoshop
    Use a brush slightly bigger than the target spot.

    The Healing Brush

    The Healing Brush tool, located under the Spot Healing Brush tool, is very similar to the Clone Stamp tool. To begin, Option + click (Alt + click on a PC) to select your source, and then carefully paint over the destination to transfer the pixels. The Healing Brush performs this operation with more built-in intelligence than the Clone Stamp.

    As with the Spot Healing Brush, the Healing Brush attempts to automatically blend in the cloned pixels with the environment around it.

    11-puppyface in The Ultimate Guide To Cloning In Photoshop
    The Healing Brush tool automatically blends the source with the destination.

    As you can see, using the Clone Stamp to clone the puppy’s eye results in a straight copy of the pixels, while the Healing Brush does a much better job of blending with the background.

    This built-in intelligence proves extremely helpful when cloning a subject with diverse colors, textures and lighting conditions. Using the Clone Stamp in these situations can leave you with a lot of noticeably patchy spots that really stand out from the surrounding area.

    10-facefix in The Ultimate Guide To Cloning In Photoshop
    The Healing Brush Tool makes it easy to clone visually complicated areas.

    The photograph above is a good example of a subject with a fairly complicated surface. Using the Clone Stamp tool would have made it quite difficult to paint over the cracked areas while retaining the integrity of the stained stone. Much of the discoloration would have been sacrificed as you sourced smoother areas to erase the cracks. However, the Healing Brush was able to effectively replace the cracked areas with smoother areas, while sampling from the surrounding area to replicate the stains.

    The Patch Tool

    The final healing tool we’ll examine is the Patch tool, which can be found under the Healing Brush tool, as seen below.

    12-patchtool in The Ultimate Guide To Cloning In Photoshop
    Tip: hit Shift + J to cycle between the tools in the fly-out menu.

    The cloning tools we’ve examined so far are best when used meticulously on small portions of an image. By contrast, the Patch tool is the best way to clone large, relatively uniform areas. As with the other healing tools, the Patch tool not only performs a straight clone but attempts to blend in the edge of the selected area with the target environment.

    To use the Patch tool, either make a selection with any of the selection tools, or simply select an area with the Patch tool’s built-in lasso. There are two modes to choose from for the behavior of the patch: “Source” and “Destination” (found in the menu bar above the document area).

    Source Mode

    With the source mode selected, first select the area of the image you want to replace, and then drag that selection to the area you want to source. For instance, to eliminate the golf ball in the image below, you would first select the area around the golf ball, and then drag that selection around to find the best source.

    13-source in The Ultimate Guide To Cloning In Photoshop
    In source mode, first select the area you want to replace.

    As you drag the selection around to find a suitable source, watch the destination (i.e. your originally selected area) for a preview of what the source pixels will look like in that area. Keep in mind that this preview is a straight clone without any blending (the final image will look much better). Release the selection to see the actual result.

    14-noball in The Ultimate Guide To Cloning In Photoshop
    The Patch tool’s result.

    As you can see, it does a pretty impressive job of blending the source and destination pixels all on its own. But going over areas that need improvement with the Healing Brush is good practice.

    Destination Mode

    With “Destination” mode selected, the area you select first will be the area that is replicated elsewhere. For instance, if we start with the same selection as before, dragging the selection this time gives us a preview of copying the ball to a new location.

    15-destination in The Ultimate Guide To Cloning In Photoshop
    Patch tool destination mode.

    After you release the selection, the golf ball is copied to a new area of the image and blended with the surrounding pixels.

    16-twoballs in The Ultimate Guide To Cloning In Photoshop
    Result of “Destination” mode.

    The Clone Source Palette

    The Clone Source palette (found under Window → Clone Source) is an invaluable resource for professional-quality cloning. This tool gives you much more control over the results and functionality of the Clone Stamp and Healing Brush.

    The Clone Source palette contains three primary sections: cloning source, offset adjustment and overlay options.

    17-clonesource in The Ultimate Guide To Cloning In Photoshop
    The Clone Source palette.

    Cloning Sources

    In the first section in the Clone Source palette, you can define multiple areas of an image as a source from which to clone and/or heal.

    18-sources in The Ultimate Guide To Cloning In Photoshop
    Defining multiple sources.

    The image above illustrates an example of when you might want to define multiple sources. To save a source, click on one of the five source buttons, and then Option + click (Alt + click) with either the Clone Stamp or Healing Brush. That location will now be saved to that button. Now, select the next button in line, and do the same in another part of the image. Once your sources are loaded, you can quickly shift between them simply by clicking the related button.

    Notice that the file name appears just under the clone source buttons. This is because you can actually select a clone source outside of the image that you’re working on. Simply open a different file and set the clone source. Then, when you go back to the primary file to paint with the Clone Stamp or Healing Brush, the pixels from the other image will function as the source of the clone.

    Offset Options

    The second section of commands in the Clone Source palette really increase the variety of cloned results available to you. You can set exact coordinates for the source, change the size of the cloned result relative to the original source, tweak the rotation of the result and set a precise offset (again, relative to the original source).

    19-hayclone in The Ultimate Guide To Cloning In Photoshop
    Tweaking the cloned results.

    You can see these transformation effects in action in the example above. The two bails of hay are actually one and the same, but they look considerably different because of the offset options. First, I set both the width and height to 90%, so that the cloned bail would appear slightly smaller than the original. Then I changed the width to -90% to flip the clone horizontally (you could change the height to a negative number to flip the image vertically). Finally, I set the rotation to 10° to give the illusion of a small hill.

    Overlay Options

    The overlay options are among the most helpful features in the Clone Source palette. Years ago, cloning involved a lot of guess work because it was difficult to tell exactly what the selected sample would look like without actually applying it. The guesswork has been eliminated with the “Show Overlay” command. When “Show Overlay” is selected in conjunction with the “Clipped” option, your brush is shown with a preview of the clone source inside. This is extremely helpful when attempting to clone inorganic areas with straight edges, such as a brick wall.

    20-overlay in The Ultimate Guide To Cloning In Photoshop
    An overlay of the source is displayed within the brush.

    Note that if you choose to turn on the overlay but turn off “Clipped,” then your entire clone source layer will be shown surrounding the brush.

    21-notclipped in The Ultimate Guide To Cloning In Photoshop
    An overlay of the source is displayed within the brush.

    Working this way is actually quite difficult because the source significantly blocks your view of the destination. But if you prefer it, try reducing the opacity of the overlay so that you can see the image below.

    Vanishing Point

    Vanishing Point takes cloning to an entirely new dimension, literally. The tool makes it possible to set up primitive planes across your artwork, which a clone then follows to simulate a three-dimensional space. Vanishing Point has a ton of features and potential applications, and it really merits its own entire article, so this will be just a brief introduction.

    When you open up the Vanishing Point dialog (found under the “Filter” menu item), you’ll see a large preview of your image, along with a small set of tools on the left side.

    22-vanishingpoint in The Ultimate Guide To Cloning In Photoshop
    The Vanishing Point dialog.

    Grab the tool sitting second from the top to set up your initial plane. With this tool, click once on each of the four corners, outlining the desired plane. Once you’ve created an initial plane, you can Command + click (Control + click on a PC) to extend the plane perpendicularly. Some images, though, like this old barn, won’t have perfect angles. In this case, you’ll have to create a second plane, entirely distinct from the original.

    23-twoplanes2 in The Ultimate Guide To Cloning In Photoshop
    Setting up planes.

    Once you’re satisfied with the planes, grab the Clone Stamp (fourth from the top), and Option + click the desired source (in our case, the barn door). Then clone the door onto the front-facing wall using the same method you would use with the normal Clone Stamp tool. Turn “Healing” on in the drop-down menu above the image preview to ensure that the source is properly blended into the destination.

    24-vp-result2 in The Ultimate Guide To Cloning In Photoshop
    Vanishing Point result.

    As you can see, Photoshop interpreted the planes fairly well. Some fine-tuning and clean-up are definitely necessary if we want a believable image; but overall, the result is extremely impressive, given the lack of work required.

    5 Quick Tips For Better Cloning

    Now that we’ve examined each tool in depth, let’s close by recalling a few things to keep in mind if we want to clone with professional results.

    Take Your Time

    As you undertake a cloning project, the quality of the result is directly proportional to the amount of time you put into it. Cloning photographic details can be incredibly tedious work. The world has become well acquainted with Photoshop magic, so never assume that no one will notice your blunders.

    Duplicate the Active Layer

    The very first step to take when cloning parts of an image is to duplicate the layer you’ll be working on (or to just work on a new transparent layer). Realizing that you made a mistake so long ago that your “Undos” don’t go back far enough to fix it is beyond frustrating. Keeping the original image on a hidden layer gives you the flexibility to revert any part of an image to its original state.

    Be Selective With Your Tools

    Each cloning tool has its strengths and weaknesses, as outlined above. Never arbitrarily grab a tool and stick with it for the duration of a project. Consider which tool is best suited to the particular area of the image you’re working on. On large projects, no single tool creates believable results on its own. Use two or more tools in synergy to achieve a realistic result.

    Watch for Obvious Duplication

    25-grass in The Ultimate Guide To Cloning In Photoshop
    Sloppy cloning results in noticeable patterns.

    If you’re not careful, duplicated pixels can become painfully obvious. This is especially true of areas that should look fairly organic, like the grass above. Instead of appearing natural, an obvious pattern emerges when you use the same section of an image over and over. To avoid this, make heavy use of the Clone Source palette. Use multiple sources; and change the size, rotation and orientation of the areas you’re cloning to give the illusion of an unmanipulated image.

    Avoid Disasters

    When retouching significant parts of an image, overlooking certain areas becomes all too easy.

    26-disaster in The Ultimate Guide To Cloning In Photoshop
    Where did her leg go!?

    If you’re not careful, you could eliminate enough vital body parts to make the image humorous. Your goal is to prevent your work from showing up on Photoshop Disasters, which is where you’ll find the image above.

    Conclusion

    Cloning in Photoshop is a difficult task that requires significant time, studious attention to detail and an in-depth knowledge of several tools and commands. To improve the quality of your results, invest some time learning Photoshop’s entire cloning arsenal. Experiment with all of the options for each tool to get a better feel for where you can excel.

    Additional Resources

    (al)


    © Joshua Johnson for Smashing Magazine, 2010. | Permalink | 73 comments | Add to del.icio.us | Digg this | Stumble on StumbleUpon! | Tweet it! | Submit to Reddit | Forum Smashing Magazine
    Post tags: ,

by admin

Starting Out Organized: Website Content Planning The Right Way

March 17, 2010 in Featured weBlogs by admin


  • Smashing-magazine-advertisement in Starting Out Organized: Website Content Planning The Right Way
     in Starting Out Organized: Website Content Planning The Right Way  in Starting Out Organized: Website Content Planning The Right Way  in Starting Out Organized: Website Content Planning The Right Way

    So many articles explain how to design interfaces, design graphics and deal with clients. But one step in the Web development process is often skipped over or forgotten altogether: content planning. Sometimes called information architecture, or IA planning, this step doesn’t find a home easily in many people’s workflow. But rushing on to programming and pushing pixels makes for content that looks shoehorned rather than fully integrated and will only require late-game revisions.

    [By the way: The network tab (on the top of the page) is updated several times a day. It features manually selected articles from the best web design blogs!]

    Your New Project: How It Goes All Too Often

    Dayone-planning in Starting Out Organized: Website Content Planning The Right Way

    On day one things are great. You’ve landed a new job, the client is excited, you’re stoked and the project will be great. First things first: you have to collect the main materials to begin the design. You send the client an email asking for what you need.

    On day two you get the following:

    • A TIFF logo (in CMYK) via email;
    • A set of logo standards that include the RGB values, via email (separately);
    • A disc full of photos with various names (like “DSC09080978″);
    • A fax that labels the photos according to their file names;
    • An email that lays out the top and second-level navigation, as the client sees it;
    • A phone that makes last-minute changes to the top-level navigation;
    • An email with a DOC attachment full of text for various pages (but not all of it).

    And on day three you get an email that makes half of the junk you got yesterday obsolete.

    You’re only three days in, and the project is already no fun. You got into Web design to make great layouts, solve problems and create functional art that breathes through programming. It never occurred to you that cleaning up your client’s disorganization would be a part of the gig.

    We know that a great website relies on all parts working in harmony. To achieve this, you have to start on the right foot at the beginning of the project. You need an organizational system that does the following things:

    • Allows you to organize deliverables from various media;
    • Lets you rapidly make changes when needed (it’s called planning for a reason: things change!);
    • Helps you collaborate with all stakeholders;
    • Shows how the project is developing and what’s left to do;
    • Ideally launches you into the actual design and building phase.

    The Architecture: Every Brick Counts

    Architecture-planning in Starting Out Organized: Website Content Planning The Right Way

    Your website’s users will have to “live” inside your website for a period of time. Because of this, some real-world architectural principles apply to website planning. A sense of context and “place” helps users find what they’re looking for. When we talk about the architecture of a website, we’re talking about the hierarchy of its navigation and its structure. We’re not talking about graphics, text or anything cosmetic.

    You can plan your architecture in many ways.

    Card Sorting

    Indexcards-planning in Starting Out Organized: Website Content Planning The Right Way

    Card sorting is a way to organize content based on hierarchy. To try it, simply put all of the pages for your website onto index cards. Ask stakeholders to sort those cards into logical stacks that represent the hierarchy of your website’s navigation. It’s a great exercise to make sure that the content on your website can be found in the most logical place and that like-minded content is grouped and named appropriately.

    • What’s it for?
      To gather feedback on what pages should go where on your website.
    • What’s good about it?
      It’s a great way to learn the assumptions of multiple users.
    • What’s bad about it?
      The results should be taken with a grain of salt. Your participants will be making a lot of guesses and assumptions.
    • In sum
      One major task in website development is making people feel included. Card sorting is an interactive process that helps people feel like they are contributing.

    A few resources to learn more about card sorting:

    Content Inventories

    Content-inventory-planning in Starting Out Organized: Website Content Planning The Right Way

    A content inventory is a great way to understand the breadth of your website and the purpose of each page. Simply create a spreadsheet of all your pages and their corresponding URLs. But a content inventory gets much more useful when you add things like page notes and single-sentence summaries of why a page exists. Use a content inventory to quickly understand topography and figure out what should fit where. It is a great way to think through a redesign but may not be the best way to plan new websites.

    • What’s it for?
      To understand the context and purpose a website’s pages.
    • What’s good about it?
      Once it’s complete, dragging things around and playing with alternate navigation schemes is easy. It also makes it easy to see the topography of your website.
    • What’s bad about it?
      Laborious to create. It’s not of much use during the development phase, and it gets out of date pretty quickly.
    • In sum
      A content inventory is a great way to find unnecessary pages on your website. Forcing yourself to look at each page in turn and summarizing its usefulness nearly outweigh the disadvantages of this method.

    A few resources to learn more about content inventories:

    Paper and Sketchboards

    Sketchboarding-planning in Starting Out Organized: Website Content Planning The Right Way

    Sometimes paper just feels good. The free form allows for incredible expressiveness, and nothing is faster for capturing ideas. Unfortunately, the drawbacks are tough to ignore. Paper is easy to lose, hard to share, wasteful and not very useful past the early stages of a project. Eventually, everything for a website becomes digital, and so going digital as soon as possible is best. Use paper to capture thoughts in a meeting to brainstorm and to explore. But do yourself a favor and transcribe or scan the information as early as possible.

    • What’s it for?
      To quickly and collaboratively sketch out a website architecture.
    • What’s good about it?
      You can move pieces of paper around. And drawing with markers is fun. It’s also great for energizing a group and quickly scanning a lot of ideas.
    • What’s bad about it?
      Once your big sketchboard is complete, it has to be transcribed into another format to be useful.
    • In sum
      Beware the feel-good meeting! Sketchboard meetings are fun and seemingly productive, but you’ll often wonder afterwards what you actually achieved. Ideas come quickly, but the real work comes in deciding whether any of them are appropriate for the project.

    A few resources to learn more about sketchboarding:

    Site Map Diagrams

    Illustrativegraphs-planning in Starting Out Organized: Website Content Planning The Right Way

    A visual site map is quick to make, fairly expressive and easy to change. People have all sorts of methods for building site map diagrams. Whatever your tool, the diagram is a useful way to demonstrate hierarchy. It clearly shows the relationships between pages and tells you where your website is too shallow or deep.

    • What’s it for?
      To visually explain the relationships between pages on your website.
    • What’s good about it?
      Nothing better illustrates the hierarchy of a website than a diagram with lines and arrows indicating the relationships between pages. Clients naturally understand it.
    • What’s bad about it?
      The actual relationships between pages can be hard to grasp. What looks good on a chart might not work well on a website. And a site map diagram is not really useful during the development phase, quickly becoming a dead documents.
    • In sum
      A site map diagram is a quick way to sketch navigation and hierarchy. Don’t try to cram in other bits of information that just don’t fit.

    A few resources to learn more about site maps and diagrams:

    Which to Choose?

    There is no one right way to plan the architecture for a website. Depending on the size of the website, you might use all of these techniques. They’re not opposed or mutually exclusive—just different means to similar ends.

    When picking your method of architecture planning, consider these things:

    • How big is the website?
      The sheer size of some websites makes some of these methods cumbersome or impossible.
    • What type of website is it?
      The card-sorting method, for example, is perfect for e-commerce websites but overkill for blogs.
    • Who is your client?
      The less Web-savvy the client, the more elaborate your descriptions and plans will have to be. If your client understands websites, then you can be a bit more brief (but not too brief!).
    • Consider your workflow.
      Try out all of the ideas, and then pick a lightweight, simple process that you and your clients can understand. If you find yourself filling in information that isn’t useful or illustrative, then you’ve gone off track. Adopting a process that allows you to do the bare minimum is good in this case.

    A few tips on architecture planning:

    • Organize content according to user needs, not an organizational chart or how the client structures their company.
    • Give pages clear and succinct names.
    • Be sympathetic. Think of your typical users, called personas, and imagine them navigating the website. What would they be looking for?
    • Consider creating auxiliary way-finding pages. These pages would lie beyond the main navigation of your website and structure various pages according to specific user needs.
    • If you can’t succinctly explain why a page would be useful to someone, omit it.
    • Plan the architecture around the content. Don’t write content to fit the architecture.
    • When dealing with clients, especially clients at large companies with many departments, keeping egos in check can be tough. Keep everyone on point with constant reminders of the true goals of the website.
    • Not everything has to be a page. Use your hierarchy of content as a guide. Some items might work better as an FAQ entry or as sidebar content. Make sure your architecture-planning method does not blind you to this.

    The Architecture Is The Home, Not The Content Itself

    Like the website itself, each of your pages has a structure and hierarchy as well. The architecture helps users find the right page. The hierarchy and semantics help users find the right content on that page. Too often, copywriting is an afterthought in Web development. No matter how attractive, clever or interactive a website is, its main purpose is to convey information. A great website is designed around the content.

    Most of the tools that are great for planning architecture are not so good for planning content. This causes many people to skip the process of content planning, to abandon their copywriters and to use their CMS as a content organizer (i.e. leaving it as an afterthought).

    HTML Wireframes

    Yourownwireframes-planning in Starting Out Organized: Website Content Planning The Right Way

    Making your own wireframe is a smart way to demonstrate your plans to collaborators. It’s a great visual tool and very expressive. The drawback of using manual wireframes is that they are… well, manual. You’ll end up spending time on the front-end getting everything just so and more time on every revision. While manual wireframes are the perfect tool for many DIY coders, keep things simple! If you over-design your wireframes, your client will focus more on cosmetics than substance.

    • What’s it for?
      HTML wireframes are a natural extension of other architecture-planning methods. They fill in the architecture by showing the content and markup on the pages.
    • What’s good about it?
      They’re illustrative and easy to understand. Clients immediately grasp them and how they translate to the next step.
    • What’s bad about it?
      Getting a structure that works can be tricky. You have to manually mark up content. And they’re not a great way to work with multiple collaborators.
    • In sum
      HTML wireframes are a great way to envision and plan website content. If you’re a freelancer or on a small team, they’re a great option.

    A few tips on manual wireframes:

    • Once you get a good style sheet and structure, leave the wireframe alone. It’s not supposed to be elegant or beautiful. In fact, the fewer the distractions and the simpler, the better. The point is for people to concentrate on the content.
    • Work on naturally transitioning from wireframe to development. A simple script or some find-and-replace magic can put all that useful markup into your working product.
    • For simple websites, use wireframes in the first stage in development. If you mark up your content properly, you may only need CSS after that.

    Plain Old Text

    Texteditor-planning in Starting Out Organized: Website Content Planning The Right Way

    Many copywriters reach for MS Word or Apple Pages when starting to write website content. The simple tools are often the most useful and powerful. In this case, that’s only partly true. While text editors are a great way to quickly organize text, they have their drawbacks in website planning.

    • What’s it for?
      Text editors are a quick and easy way to organize text for a website.
    • What’s good about it?
      They’re readily available, and almost anyone can use them. Their ubiquity and revision-tracking features make them great for collaboration.
    • What’s bad about it?
      The mark-up created by text editors doesn’t translate well into the Web world. Clients often don’t understand how a linear document translates into a free-form website architecture. Embedding images and attaching files to pages can make the document cumbersome and not great for migrating to the development stage.
    • In sum
      Text editors are useful for planning the actual text of a website. What’s missing is the navigation and how the attached files will be organized. Don’t prevent collaborators who are comfortable with text editors from working this way, but move the content into a more workable format quickly.

    A few tips on using text editors for website planning:

    • If you’re using a text editor to organize website content, use RTF format instead of the proprietary file format of the editor. It will make a lot of things easier for you later.
    • Create a simple numbering system that makes the pages in your document correspond to the more visual architecture you have created separately.

    Slides

    Powerpoint-planning in Starting Out Organized: Website Content Planning The Right Way

    As with text editors, many people already own a tool that creates slides, such as PowerPoint or Keynote. In fact, for many office professionals, it’s the only layout tool they own. Thus, many websites are planned in PowerPoint. Its availability and relative ease of use make it a good option for some workflows.

    • What’s it good for?
      Slideshow creators are used to easily sketch the structure and to link pages.
    • What’s good about it?
      They’re readily available, and almost anyone can use them. Their basic layout features liberate many people who would otherwise struggle to convey their thoughts.
    • What’s bad about it?
      Slideshow creators are great at getting information in but poor at getting it back out. Their graphic creation abilities often complicate the goal of the process. (Plus, a lot of cute icons will suddenly start to appear in your content!)
    • In sum
      Slideshow tools are a great makeshift wireframe creator. They use a familiar process in a new way. But you’ll face a trade-off when you begin building the website.

    A few tips on using slideshow creators for website planning:

    • Don’t get too creative with “designing” your pages. Avoid color, graphics and anything else that does not specifically illustrate the hierarchy of content.
    • Keep your system very simple. The goal is to make it illustrative and quick. The more complicated it is for you to drag pages and update links, the more reluctant you will be to explore new options for the layout.

    Jumpchart

    Jumpchart-planning in Starting Out Organized: Website Content Planning The Right Way

    Jumpchart lets you make simple and quick HTML wireframes. Whatever planning method that works for you is a good one. But in our studio, we find that no tool gives us as much flexibility or momentum as Jumpchart, and that’s why it’s our tool of choice. It simply organizes content hierarchically, compiles feedback and exports to the next stage of the development process.

    • What’s it good for?
      Jumpchart is a natural extension of manual HTML wireframes.
    • What’s good about it?
      It automates some of the most important parts of the manual HTML wireframing process, with the collaboration and formatting options that many people want. It also exports.
    • What’s bad about it?
      Jumpchart requires a paid subscription to plan larger websites.
    • In sum
      Jumpchart is a great way for small teams and remote collaborators to visually organize content. The ability to export to XHTML and WordPress (WXR) makes for a rapid transition between the planning and development stages.

    A few tips on using Jumpchart for website planning:

    • Use Jumpchart as a single spot for all the deliverables in your website project. Images and documents can be attached to individual pages.
    • Use the permission system to control who can see and who can edit.
    • For those who plan the content before the architecture (like us!), Jumpchart is a great way to ease into the site map.

    Putting It All Together

    Finding the right combination of tools and processes is an important part of planning a website. A lot of thought should go into even the smallest website. This can be daunting for even the best developer, but we’ve yet to cover one of the biggest obstacles to the development process: the client.

    Calling the client an obstacle is not fair, of course, but it feels that way occasionally. Clients can throw a wrench in the cogs of the best process. Take pity on them, though. They have jobs and lives like the rest of us. This “website” thing is usually just another line on their long list of action items. To create a planning process that embraces the human component, consider how you can better accommodate their needs.

    The Inevitable Revisions: Being Fleet of Foot

    Running-planning in Starting Out Organized: Website Content Planning The Right Way

    Clients change their minds. It’s in their genes to be indecisive and difficult. If they knew what the heck they were doing, they wouldn’t need us. Our job is to turn their mess into perfection. Despite the mess, budget and timeline, your work will be judged on its own merit. You either got it right or you didn’t, and there’s no passing the buck.

    This Scylla and Charybdis are no reason to stop trying. What you need is a workflow that embraces change rather than resists it.

    • Make sure your planning method is not tedious. If updating a simple page title in PowerPoint takes you 10 minutes, rethink your method.
    • Follow the order of the steps. Starting on later steps before previous steps are approved is tempting. Don’t!
    • Bundle revisions. You’ll kill your budget if you make individual changes as they come.
    • Encourage your client to take time in the planning stage. No matter how close the deadline, this is the one part you shouldn’t skimp on.
    • Make sure your contract specifies consequences for revisions. Be explicit.

    Collaboration: Bring Stakeholders Together or Die Trying

    If you plan in a vacuum, you’ll only end up with a pile of lint. The secret to efficient planning is to include those with authority in the process. If you spring architecture and content on stakeholders late in the game, expect far-reaching changes that require backtracking.

    Get architecture, content and deliverables approved before moving on to the next steps. Modern CMS’ have templates that can accommodate a wide variety of content, and this might make it seem as though content organization and architecture aren’t your problem, but they are! If you write the CSS and programming without understanding what exactly you’re building, you will be forced either to backtrack or to fit content into a template that isn’t ready for it. Content comes first.

    • If you’re planning online, email everyone when you can. If you plan on paper, print multiple copies in the hopes that more stakeholders will see the plan before you move on.
    • Get clear, direct approval of major steps in writing. If your client is hesitant, they may be hiding that they’ve failed to get approval from higher-ups. Asking for an email or signature forces the issue. It may sound confrontational, but most clients will understand and appreciate your thoroughness.
    • Ask for meetings. Most creative people hate them, but a successful project requires collaboration. You would be surprised what comes out of a 10-minute phone call.

    Explaining: Heel Meet Arrow

    Achilles-planning in Starting Out Organized: Website Content Planning The Right Way

    You may be a great designer, programmer, architect or manager, but if you can’t show progress and convey ideas to clients, you will fail. Clients need feedback. They need to see where you are heading with the project. Telling them is one thing; show them another. Many potentially great websites were derailed because the designer did not effectively explain what was happening to the client.

    • Show, don’t tell. No matter how much head-nodding you see, if you only tell your clients what you will do, they’ll be confused later. Either poor memory or communication will sink your ship every time.
    • Don’t format content too much. Keep it simple. Some people start pushing pixels right after planning. Others start working on interface wireframes. Whatever you do, empower yourself or your designers to make primary decisions about font, color and layout. If your content wireframe or diagram is too elaborate, it will impinge on the design. Let the decision-makers focus on the content, navigation and what-goes-where, rather than muddying the process with filler graphics.

    Moving On: The Button That Launches a Thousand Ships

    So you’ve dodged all potential problems so far. The die is cast, and the plan is laid. It’s time to start designing and building the website. Do you have to start over now, or will your plans accelerate the process? It’s been said before, but a plan that has no momentum is wasted. If you have to retype, reorganize or re-explain your plan in order to start the next step, you’ve been wasting time.

    A great design process builds on the website’s content. A great process allows you to build on the last step. To be cost-effective and efficient, the process should include only the critical steps. An awkward transition from planning to building a website is a common roadblock. Frequently, the people who plan a website and communicate with the client aren’t the people who actually build the website. This means that the planning documents have to be expressive and comprehensive in conveying the process that has been followed to date.

    Avoid costly revisions and staff frustration by having a process that slingshots you into development rather than requires backtracking and further investigation. Sure, the process should be fluid, but a good plan ensures momentum.

    A Few Parting Practical Tips

    • Be specific about your wants with clients. Ask for digital text, Web-sized images, etc.
    • Keep all deliverables in one place, and put them there as soon as you get them!
    • Ask for written changes, preferably via email so that they’re time-stamped.
    • Use Google’s advanced site search to quickly learn about the current website’s size and shape if your project is a redesign.
    • Ask your client for access to old stats. Learning how people have been accessing content is important if you will be planning a new website.
    • Avoid being too specific in the early stages. Work from general to specific, and don’t get bogged down in details until they become important.

    Wrapping Up

    As professionals, we need to embrace better planning methods in our projects. Being agile is great, but don’t outrun your client or the goal of the project. True agility is about being adaptable and reacting quickly. Planning a website is a daunting task, but it can be done if you stick to a process that works.

    • Understand the goals of the website.
    • Gather resources.
    • Organize resources at top level and then at page level.
    • Assess your work based on user profiles.
    • Demonstrate your plan.
    • Get approval.
    • Move on.

    So many of us design too fast. You need to make so many decisions before working on a visual wireframe or pixel-based mockup. If you start designing before understanding the breadth and depth of the content that your website will contain, you’ll inevitably have to cram stuff into places that it doesn’t fit.

    Building a website is like telling a good story. It starts with a cohesive outline and clear plot. No matter how fantastic your website looks or works, eventually someone will read it. Someone will have to navigate it. Truly great websites pay attention to content and organization. There’s no way to fake that late in the game. Greatness comes from a solid plan.

    (al)


    © Kristin Wemmer for Smashing Magazine, 2010. | Permalink | 26 comments | Add to del.icio.us | Digg this | Stumble on StumbleUpon! | Tweet it! | Submit to Reddit | Forum Smashing Magazine
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by admin

How to Create a Promotional Snail Mail Campaign

March 17, 2010 in Featured weBlogs by admin


  • Smashing-magazine-advertisement in How to Create a Promotional Snail Mail Campaign
     in How to Create a Promotional Snail Mail Campaign  in How to Create a Promotional Snail Mail Campaign  in How to Create a Promotional Snail Mail Campaign

    It’s important to promote your design business. This is especially true when economic times are challenging, you’ve got news to announce, or you’re simply hungry for growth. Many forms of promotion are available to the modern designer – with banner ads and Google AdWords among the most popular. In this digital age, it’s easy for web and graphic designers to overlook one of the most effective and fun forms of promotion: the mail campaign. In an era when people are accustomed to communicating electronically, the value and meaning of something you can hold in your hands is greater than ever before.

    The promo mailer is perhaps most popular among illustrators and graphic designers working for editorial clients, which means that it is a powerful, untapped resource for some web designers. Likewise, it was probably a much more common practice ten years ago than it is today due to the rise of online promotion techniques – but those who ignore its potential are missing out on a tool with the power to gain new clients, increase web traffic, and attract publicity for your business and events.

    3dtriplex Theudc1 in How to Create a Promotional Snail Mail Campaign

    This promotional mailer for Ultra Design Co. includes 3-D posters (complete with 3-D glasses!). Designed by Humberto Howard/UDC

    Common types of mailers include postcards and brochures, but designers featured in this article have produced everything from faux newspapers to toys and even promotional eyepatches.

    In other words, this can and should be much more than just another opportunity to promote your work. It is also an opportunity to have a heap of fun, think outside the rectangle, and even present former and potential clients with a unique objet d’art. If you give them a piece of art and design that they’re unlikely to forget, then they’ll be unlikely to forget you.

    [Offtopic: By the way, did you know that Smashing Magazine has a mobile version? Try it out if you have an iPhone, Blackberry or another capable device.]

    How to Create a Postcard

    Leprechaun Web in How to Create a Promotional Snail Mail Campaign

    Promo postcard by author and designer Dan Redding at Magnetic State

    The type of mailer that you send is limited only by your imagination, but the most common form is the postcard (we’ll look at other forms momentarily). Postcards come in a variety of sizes (standard is 4.25” by 6”) and are available on cardstocks in a variety of weights and finishes. There is no right or wrong way to create a postcard design, but one steadfast rule is that your greatest talents and skills should be in the spotlight. You’ll probably only have a moment to connect with the recipient of your card, so be bold and communicative.

    Your design work should go on the front – perhaps your strongest portfolio piece, or a small selection of them – along with your name, URL, and a list of services provided: ‘Illustration and Design,’ ‘Graphic Design and Web Design,’ etc. The back of the postcard usually includes a designer’s logo along with contact information. Some designers will print a huge logo or alternate design back here, while others will leave enough space for a personal, handwritten note. No matter what your design, make sure to consult USPS guidelines to ensure that your design is acceptable for mailing (any quality printing company can assist you with this).

    Avoid the Trash Can

    If your postcard looks like every other advertisement out there, it will probably end up in the recycling bin. In fact, it might not even make it past the intern that sorts the mail at that publication you sent to. Then it will get recycled, and in a week, your beautiful work will be five percent of a toilet paper roll on a shelf in a Wal-Mart in New Jersey. You don’t want that.

    Vollmar4 in How to Create a Promotional Snail Mail Campaign

    This beautiful, hand-silkscreened promo mailer by Jay Vollmar has a personal touch.

    If your card makes it past the perils of the wastebasket and reaches the hands of your addressee – perhaps an Art Director at a record label or the CEO of a startup company – then you’ve done well. If he or she reads both sides and likes it enough to tack it onto the bulletin board for future reference, then you’re in great shape. And if you get a phone call the next time that Art Director has a freelance job, then you’re golden.

    Your design work is not junk – it’s your passion – so your promo shouldn’t be junk mail. Make your promo memorable and personal. When it lands in the hands of Steven Q. Client, present Mr. Client with a design that is compelling and appropriate to his industry. Write him a note that is friendly and courteous while reminding him that you hope to hear from him the next time an appropriate freelance project arises. An even better way to make a great impression and stay out of the rubbish bin is to make an unusual or useful product instead of a postcard.

    Print Your Design

    If you’re very industrious (and you’ve got a good printer), you might print your postcard yourself. But for most designers, it makes the most sense to pay a professional printer to print a few hundred copies of your design.

    Choose a print company that will provide accurate colors, high-quality printing, and accessible customer service. There are many of these available on the web; one fine example is Modern Postcard (author’s note: I am not affiliated, just a satisfied customer).

    Don’t be wasteful. Check your printer’s environmental policy (a responsible printing service will make this available). Investigate their commitment to sustainability, recycling, and environmentally friendly products. Make your mailers count. Send to recipients who will be interested in your services.

    Think Outside the Rectangle

    Some designers eschew the pedestrian postcard in favor of a more adventurous option. Here are some creative promotional items that defy expectations.

    Labzeus in How to Create a Promotional Snail Mail Campaign

    This lovingly crafted mail package from Labzeus/Brian Neumann includes his portfolio on a flash drive. According to Mr. Neumann’s website, “The project involved package design (custom folder with die cuts), letterpress & foil stamping (letterset & folder), giclée printing (fold-out poster, 2-sided), chemical etching (flash drives) and hand embossments (sticker seal and poster front). I also sourced mailer boxes, custom labels and had branded packing tape created to round out the piece.”

    Publico2 in How to Create a Promotional Snail Mail Campaign

    Promotional ‘business card’ eyepatch designed by Paul Coors for the now-defunct art gallery Publico

    Rand in How to Create a Promotional Snail Mail Campaign

    These small buttons are emblazoned the famous logos of design hero Paul Rand. Why not make small gifts or accessories featuring your own work?

    Vollmar in How to Create a Promotional Snail Mail Campaign

    Promotional paddleball toy by Jay Vollmar

    Hawk3 in How to Create a Promotional Snail Mail Campaign

    Philadelphia illustrator Hawk Krall sends out ‘mega-packs’ of colorful food-themed goodies. “I get the best response from these,” says Hawk. “I send out about 150-200 of these to my best/newest contacts, made up of 3 or 4 postcards, stickers, tearsheets, hot dog magnets, etc.”

    Hugo3 in How to Create a Promotional Snail Mail Campaign

    This newspaper-style promotional brochure from Hugo & Marie garnered the consultancy lots of attention both online and off.

    A word of advice: if you design an unusual item, says designer Derek Sussner, “take a mockup to the design consultants at the USPS before you show up with 700 things to mail, especially if they are dimensional, fragile, or out of the ordinary. That early consult can save some time, energy – and often, postage costs.”

    All About Mailing Lists

    So now you’ve got a few hundred copies of your beautifully designed postcard/portfolio brochure/novelty treasure map. Where do you send them? You need a mailing list. A good mailing list is something that you can purchase or develop on your own.

    Your mailing list should consist of both former clients and potential clients. You’re contacting former clients to say hello and to reinforce your presence in their minds. You’re contacting potential clients to introduce your work and convince them to visit your site, call you, and ultimately, hire you. With any luck, some of those potential clients will be transformed into enthusiastic former clients list by next year.

    Weiman2 in How to Create a Promotional Snail Mail Campaign

    Postcard by Weiman Design LLC

    How to Buy a Mailing List

    Just like printing companies, a simple web search will turn up many companies that sell mailing lists. In fact, many printing companies are ‘one-stop shops’ that will not only print your mailers, but can also sell you a mailing list and even stamp, address, and send your items for you. If you choose this route, make sure the company you buy from is a reputable one. Get their representative on the phone and ask them what they can offer that’s suitable to your target audience. Make sure their lists were compiled recently and contain accurate information. If the list is over a year old, how many of those contacts have changed employers or positions? If one name is spelled wrong or one office incorrect, your mailer will end up at the bottom of the wastebasket – along with the money you spent developing and printing it.

    Kuo in How to Create a Promotional Snail Mail Campaign

    This postcard by Sam Kuo represents the theme of Halloween in New York City. Mr. Kuo has designed many clever mailers that acknowledge pop-culture phenomena and current events.

    How to Build your Own Mailing List

    For many designers, D.I.Y. (do it yourself) is an ethos to live by. Researching and compiling your own mailing list can be a highly effective and personal way to customize a list to the specific needs of your business. Sending to former clients and contacts is the easy part. But who else can you send to?

    In order to build your own mailing list, you’ll need to identify a target audience. If you’re an editorial illustrator working for magazines, you might go to a bookstore and copy down the names and office addresses of art directors listed in the masthead of magazines you’d like to see your work in. If you’re a web designer, you might identify a target market (perhaps you specialize in promotional websites for filmmakers and videographers). Start Googling relevant companies and checking Contact pages for address listings. Don’t be afraid to get on the phone, introduce yourself, and politely inquire about an appropriate contact person who you might send to.

    Hawk5 in How to Create a Promotional Snail Mail Campaign

    Postcard by Hawk Krall

    High and Low

    When selecting targets for your mailing list, choose a wide range of recipients. You should choose people and organizations similar to those you’ve worked with before. These potential clients are likely to be suitable to your size, price range, and services. You should also contact your ideal clients – look for your ‘dream job.’ If there are any companies you’ve always wanted to work with, now’s the time to do some research and get in touch. Be resourceful and be professional.

    Snail Mail is Your Friend

    Whatever you decide to send, calculate accurate postage for each item and buy correctly valued stamps. When in doubt, take your item to the post office and ask questions.

    If you’re sending postcards, buy postcard stamps from the postal service. In the U.S., these stamps are cheaper than standard first class stamps and will save you a good deal of money on a bulk mailing.

    Send your mail so that it will arrive on a Tuesday or Wednesday (this rule also applies to your email newsletter). Not only is mail volume lighter after Monday, but work volume is lighter, too. Your recipient is likely to have a smaller amount of mail competing with yours for his or her attention on these days. He or she is also more to have a few more moments of attention to devote to something besides the day’s pressing work tasks.

    Examples from Sussner Designer Co.

    Sussner Design Company (aka SDCo) is a design firm that’s been doing superb (and award-winning) work in Minneapolis, Minnesota for over ten years. Derek Sussner – the company’s “proud owner guy,” according to their website – was kind enough to answer some questions about SDCo’s inventive promotional materials for this article.

    SDCO in How to Create a Promotional Snail Mail Campaign

    Sussner Design Company Promotional Brochure

    “We printed about a 1,000,” Derek says of these newspaper-like brochures of the firm’s design work. “Of those, we mailed out 700. We use the rest as our portfolio when we meet with new clients, or to send to new people we come in contact with. Reflections printed them for us. We have a great, long-standing relationship with them. We create all of Reflections’ promotional materials – so we print our own self-promo materials for trade. These brochures/mailers have been pretty successful for us. And they are a great way to stay in front of people we haven’t talked to in awhile.”

    SDCo10YearPoster72 in How to Create a Promotional Snail Mail Campaign

    Sussner Design Co. Ten-Year Anniversary Poster

    When Derek is asked whether he purchases his mailing lists or generates them in-house, he responds, “Both. The mailing list that works the best is the one we keep in-house. We add people we work with, have worked with in the past, people we’ve met and/or submitted proposals for, colleagues, industry partners, and a few networking friends. We also purchased a list (and we’ve renewed it several times). From what I can tell, we’ve never generated a face to face meeting from the purchased list.”

    Happy Hour in How to Create a Promotional Snail Mail Campaign

    Sussner Design Company Happy Hour Spinner

    The Sussner ‘happy hour spinner’ is a whimsical, functional, and extremely clever item that allows the user to put his or her happy hour destination in the hands of fate. The item was the follow-up to a Lunch Spinner, which Derek hopes to re-create soon. “We’re also looking to create a version the can be customized by the recipient – so they can be used by our out-of-town clients and friends.”

    Derek’s says the company’s goal for promo mailers “is always that people keep them – and even better – display them on or around their desk. And the best scenario is that it causes them to write you an email or call you with a new project. I also like it when the leftover promos have a life span so you can continue to use them, hand them out, or send them with other capabilities presentations.”

    Moving in How to Create a Promotional Snail Mail Campaign

    Moving announcements and event notifications are other common types of promotional mailers.

    Derek’s advice on the most important attribute of a successful mailer is simple: “It has to grab someone’s attention. Hopefully, it slows the motion of the arm down – if someone notices it on their way to throwing it in the garbage.” The truth of the matter is that all printed promotional matter – no matter how clever – is ultimately disposable. That’s why promo items need to create a mental and emotional impact on the audience’s mind as quickly and deeply as possible.

    In Conclusion

    Exceptional design work is promotion in itself. Keep your clients happy and follow your own path as an artist and craftsperson. Word of mouth will keep clients and fans of your work coming back to hire you or check in on the evolution of your creative talent. In fact, a designer at one popular screenprinting and graphic design studio contacted for this article said, “You’ll be interested to discover that we actually do not have any promotional material! Our posters have worked as an effective promotional material for us for years. Don’t ask me how, but they do.” The truth is that this award-winning studio stays on top because its designs are exceptional and original each and every time. It has also been in business for many years – accruing clients, awards, and publication in popular design magazines all the while.

    However, for designers that work at new or growing businesses – some of which launched during a daunting economic downturn – promotion is a valuable tool. It can also be a great way to express your personal creative energy between jobs for professional clients.

    Besides, Thomas Edison once said “Everything comes to him who hustles while he waits,” and Jay-Z said “You can’t knock the hustle.”

    So promote, promote, promote!


    © Dan Redding for Smashing Magazine, 2010. | Permalink | 35 comments | Add to del.icio.us | Digg this | Stumble on StumbleUpon! | Tweet it! | Submit to Reddit | Forum Smashing Magazine
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Showcase Of Web Design In China: From Imitation To Innovation

March 17, 2010 in Featured weBlogs by admin


  • Smashing-magazine-advertisement in Showcase Of Web Design In China: From Imitation To Innovation
     in Showcase Of Web Design In China: From Imitation To Innovation  in Showcase Of Web Design In China: From Imitation To Innovation  in Showcase Of Web Design In China: From Imitation To Innovation

    China is a country with five thousand years of civilization. It is a multi-national entity extending over a large area of East Asia. China’s cultural influence extends across the continent, with customs and writing systems adopted by neighboring countries including Japan, Korea and Vietnam.

    China has gone through numerous ups and downs and twists and turns, from wealthy and prosperous (as during the Tang Dynasty back in 618–907 AD) to powerless and colonized (as during the Qing Dynasty, just around 100 years ago). Now China is reopening its door to the world again, embracing the latest trends, concepts and technologies, the World Wide Web being one of them.

    In our interviews with six well-known designers in China, each of whom wears different hats, the recurring theme was that China’s Web design industry is rising like a spiral from imitation to innovation and user-centered design.

    Image-doopaa in Showcase Of Web Design In China: From Imitation To Innovation
    Chinese Web Design: Dongpai

    [By the way, did you know we have a brand new free Smashing Email Newsletter? Subscribe now and get fresh short tips and tricks on Tuesdays!]

    State Of Affairs

    The designers we interviewed had much to say about the direction of Web design in China, the status quo and trends. The individuals are spread out across four major cities in China, and they are:

    • Yu Guo
      Former chief designer at Baidu, China’s largest search engine.
      Current city: Beijing.
    • Whitecrow Zhu
      Co-founder of UCDChina, and principal product experience designer at Alipay, a subsidiary of Alibaba.
      Current city: Hangzhou.
    • Junchen Wu
      Co-founder of UCDChina, and director of products at Tuniu Travel.
      Current city: Nanjing.
    • Lytous Zhou
      Visual designer, UI lead at CK Telecom and author of the book UI Evolutionism.
      Current city: Shenzhen.
    • John Woo
      Lead of the user-experience team at Google China.
      Current city: Beijing.
    • Rex Song
      Freelance information architect; co-founder of UCDChina.
      Current city: Beijing.

    The interviews were conducted via phone, Skype and Google Talk. Questions were sent to the designers before the interviews to give them context, but the actual interviews were semi-structured. Being interested in the scope of their thoughts, we asked them not to limit their answers to just “Web design.” The designers were told that Web design here refers not only to visuals, CSS and the front end, but also the back end, infrastructure, design rationale, cultural elements, user-experience design and research and so on. We wanted the designers to express their thoughts as openly and as creatively as they wanted to.

    China-2 in Showcase Of Web Design In China: From Imitation To Innovation
    MFM Moliyo, a game website.

    Question: How do you see the status quo of Web design in China?

    Yu Guo: Almost 70% of Chinese Internet users are under 30 years of age. They are young, open, and they adapt to new things quickly. They like to play games online and enjoy looking for ways to entertain themselves online. So, you may see visually attractive elements on many Chinese websites, the purpose of which is to cater to this group of users.

    Whitecrow Zhu: About two years ago, we witnessed a huge trend where designers in China were imitating Korean websites in their use of Flash. Flashy and colorful design was once the trend. However, with the introduction of Web 2.0, websites in China are improving. Users are exploring the content as opposed to exploring solely the visuals. Visuals alone do not satisfy Chinese users any more. They are looking for useful and helpful content, and they want to contribute to the websites as well.

    Junchen Wu: It’s on an upward trend, getting better and better, but like a spiral. In terms of Web knowledge and techniques, Chinese designers are on par with designers in Western countries, but they have not reached the point of fully utilizing that body of knowledge. An excellent example of this is user research. Many designers know the concept, but they hardly include it in their design practices. They know of usability testing, but they rarely do it.

    Lytous Zhou: Well, two points. One, limited budgets are very common in China’s Web design market. As a result, Web design ends up with overwhelming visuals to attract attention. It might be flashy and pretty at first sight, but the information architecture might not be well planned, and usability can be poor. Regarding the second point, Chinese Web design tends to be very localized, as it should be.

    Image-meidi in Showcase Of Web Design In China: From Imitation To Innovation
    Chinese web design: Midea Microwave Oven

    For example, Alipay, a byproduct of Taobao, became a successful standalone product because it took into consideration the purchasing behavior and psychology of Chinese users. China is a big country, and some websites are successful because they cater to particular geographical locations. The other side of the coin is that Chinese Web design is not quite international yet. It’s such a huge market and can sustain itself without even reaching out to the international market. You will see that UCDChina.com and a lot of other Chinese websites don’t have English versions, even in their navigation.

    John Woo: China has not formed one distinctive Web design style yet, because the country is big, and Chinese users are complicated in many ways. The impression of foreigners of Chinese Web design might be that it is busy and flashy, but I take it as practical. When Flash design was the fashion, many designers (or their bosses) wanted to use Flash to make their Web pages attractive. When SNS was booming in the US, it was soon introduced in China, together with the Facebook and Twitter design styles. When it’s practical and useful, many Chinese people will just borrow the concept and develop it further. Baidu, QQ and Taobao won business and respect this way.

    Rex Song: China has a large population, and the saying “the more, the merrier” applies to its Web design. You will see some Web pages that are busy and cluttered, with designers or stakeholders trying to put everything on the page. The other thing is that, currently, the primary motivation to go online for the average web surfer in China is entertainment. So, Web designers in China tend to make their websites play-ish, SNS-ish and visually attractive, as we saw with the popular trend back in 2004 to imitate Korean Flash websites.

    Image-shoebox in Showcase Of Web Design In China: From Imitation To Innovation
    Shoebox

    Chinese Web Design In A Nutshell

    So, do you now have a rough idea of the status quo in Chinese Web design? Although our interviewees tended not to reduce Web design in China to certain patterns, we summarized a few bullet points based on the topics most frequently mentioned in our interviews.

    1. Flash-Heaviness: Born of Imitation

    Flash design has been a source of constant debates for years. The fact that optimizing Flash objects for search engines can be difficult is a major turn-off for some designers.

    However, Flash was called out, and it’s the most frequently mentioned keyword in our interviews. Back in 2004, when Korean websites were all in Flash, Chinese designers and business owners considered Flash the “fashion.” Rex Song mentioned that when this trend was extremely popular a few years ago, you could even download ready-made Korean-style Flash ZIP files from online stores for little money, so that you could do it quick without spending a lot of effort.

    Google is renowned for its focus on simplicity. But take a peek at the nuances that distinguish Google China and Google US:

    Image-Google -CN US in Showcase Of Web Design In China: From Imitation To Innovation

    The design of Google China is a bit more vivid than that of Google US, with a hint of animation added to the former to enhance the richness of Google search. By the way, this concept was first implemented on Google Korea and Japan, although both of them have since reverted to a more static interface.

    Although Flash implementation began as imitation, it is now increasingly featured in the portfolios of design studios and freelancers, on websites to launch new products and for products geared to the younger generation.

    Shanghai Vive is an old Shanghai cosmetics company that is trying to rebrand and attract high-end consumers. Its branding uses Flash heavily, depicting an elegant and high-class life.

    Image-vive in Showcase Of Web Design In China: From Imitation To Innovation

    Cool Bear Hi, one of the product lines of Great Wall Motor, has a Flash website to promote its new car release.

    Image-coolbear in Showcase Of Web Design In China: From Imitation To Innovation

    To accommodate low-speed Internet connections, Cool Bear Hi does a good job of showing the progress of the loading Flash.

    Image-coolbear-progress in Showcase Of Web Design In China: From Imitation To Innovation

    The text below the car on Cool Bear Hi changes as more Flash loads. With the chipper text there to assuage visitors, the loading Flash doesn’t seem that boring to watch. Above are a few screenshots we took, and below is what it says at various points in the loading process:

    • At 4%: “Choose Cool Bear Hi. Share your happiness.”
    • At 22%: “Wear a smiling face every day, and say Hi to everybody.”
    • At 41%: “Cool Bear is impatient, ‘Why hasn’t anybody taken me home!’”
    • At 70%: “Book a test-drive appoint. Get your special gift and reward points.”

    Mian Dian Fang, a ready-to-serve breakfast company, also uses heavily Flash on its corporate website. The animation gives the steam bread and “baozi” a human touch, having them do morning exercises and other activities. The metaphor persuades customers that the company serves a healthy breakfast.

    Image-mian-dian-fang in Showcase Of Web Design In China: From Imitation To Innovation

    Let’s look at how Mian Dian Fang shows its loading progress:

    Image-mian-dian-fang-progress in Showcase Of Web Design In China: From Imitation To Innovation

    The loading animation parodies the yeast process: the flour gets bigger and bigger, until you can see a full-blown website.

    Shoebox, a shoe brand for the younger generation in China, uses Flash across the whole website to show its grasp of fashion. In addition, the sketched art on the home page and old brown newspaper color for the background set up Shoebox’s philosophy: taste is an attitude of life; start with the simple; fashion is a kind of sport; start with Shoebox.

    Image-shoebox in Showcase Of Web Design In China: From Imitation To Innovation

    Lenovo Mobile O1 takes advantage of personalities and embeds their stories in Flash to present the features, functionality and usefulness of its new product, Lenovo O1.

    Image-lenovo in Showcase Of Web Design In China: From Imitation To Innovation

    Artlans, an interactive design studio, also uses Flash, especially for its menu buttons, the call to action and the language switcher. Design studios may not want to use Flash all over their portfolios, but rather in a few key places to show their skill at using Flash for clients.

    Image-artlans in Showcase Of Web Design In China: From Imitation To Innovation

    Idea Design, a design studio that uses Flash in full swing.

    Image-idea-design in Showcase Of Web Design In China: From Imitation To Innovation

    2. Designing for Entertainment

    We really liked our one-on-one interviews because not only did we hear different stories from different people, but we also heard certain other stories from everyone. For example, Whitecrow, Lytous, Yu, and Rex all talked about the “entertainmentalization” of Chinese Web design. “When a social networking website comes to China, it must become a game website,” said Whitecrow.

    A case in point is a feature provided by Kaixin.com (Kaixin means “happy”), which recently spurred a social phenomenon in China: “Stealing vegetables.” Kaixin pretty much copied Facebook’s navigation and user interaction. But it’s different in what it allows you to do: set up your “Happy Farm,” build your house, grow your own vegetables and then steal your friends’ vegetables when they are ready to be harvested. Some dedicated players even made Excel spreadsheets to track their friends’ harvest season in order to expedite stealing. It’s like any other video game but embedded on a social networking website, allowing you to play with a wider variety of users. “Stealing vegetables” became so popular that it drew the attention of censors from China’s Ministry of Culture. Under pressure from the Ministry, the game is now called “Picking vegetables,” a less offensive euphemism for mainstream Chinese culture. Online players still prefer the more accurate name.

    Happy Farm
    Image-kaixin2 in Showcase Of Web Design In China: From Imitation To Innovation

    Happy Ranch
    Image-kaixin3 in Showcase Of Web Design In China: From Imitation To Innovation

    Happy Orchard
    Image-kaixin4 in Showcase Of Web Design In China: From Imitation To Innovation

    The application was recently added to Facebook, but it is only for Chinese-speaking users at this time.

    Lipton Milk Tea features a “Hug Relay” game that you can play right on the website. Hug your friends by validating your account on Renren, another social networking website in China, and gain hug points.

    Image-lipton in Showcase Of Web Design In China: From Imitation To Innovation

    Once you accumulate enough hug points, you can shop on the online store and purchase gifts, an incentive to maintain momentum in the game:

    Image-lipton2 in Showcase Of Web Design In China: From Imitation To Innovation

    Like Lipton, M&M China also uses an online “relay” game to engage visitors to its website.

    Image-mm in Showcase Of Web Design In China: From Imitation To Innovation

    I Love G3, a website from China Mobile to promote the 3G network and 3G cell phones, presents an animated Flash questionnaire for users to play around with.

    Image-ilove3g in Showcase Of Web Design In China: From Imitation To Innovation

    After you have answered a series of questions such as, “How would you kill time on a train?” and “How would you cross the ocean?” the system analyzes your personality and recommends 3G cell phones to match you:

    Image-ilove3g2 in Showcase Of Web Design In China: From Imitation To Innovation

    3. Designing for Clicks

    Unlike Latin and Germanic languages, Chinese is rooted in hieroglyphic characters. Typing in Chinese on an alphabet-based keyboard can be slow, especially for middle-aged and older users. So, you will see that some website user interfaces are extremely busy: text and image links everywhere—”the more, the merrier,” as Rex Song points out. These websites are designed for clicking, as opposed to searching (although keyword search is an essential component of any information-rich website).

    Yoho, an online shopping platform for the younger generation, takes advantage of every sliver of real estate on the page to promote its products. Yes, a search box is in the top-right for you to search, but with all of these images and hyperlinks, it’s more enticing to just click, click, click.

    Image-yoho in Showcase Of Web Design In China: From Imitation To Innovation

    It’s the same with China Visual, a visual design resource portal. The home page presents all sections of the website as text and image links, giving you a quick peek of the content.

    Image-chinavisual in Showcase Of Web Design In China: From Imitation To Innovation

    NetEase (aka 163.com), one of the largest news portals in China, takes full advantage of the Web reading pattern of Chinese users: i.e. clicking.

    Image-netease in Showcase Of Web Design In China: From Imitation To Innovation

    Above is a screenshot of NetEase’s home page. The Chinese lunar New Year was approaching when we were writing this article, and you can see that this website uses red, a color symbolic of festivals, for the background. The page is filled with headlines of news and featured articles as well as ad spots. You can perform a search at the top of the page, but by scanning the entire page, you get a sense of what’s happening today. And if you’re interested in any of the headlines, just click—that easy.

    All that said, many websites are working to unclutter their UI, increase the font size and line spacing and enhance readability. “Sina.com, if you have been paying attention to its redesigns all the way back to the late 1990s, is doing better and better at information design,” said John Woo, lead of the Google China UX team.

    4. Designing for Culture

    When asked, “Can the world learn anything from Chinese web design?” Lytous Zhou answered without hesitation: “Culture. The Chinese respect Dao, and we have our own set of values and mores. Websites targeted to the Chinese market should follow the online habits and aesthetics of Chinese users. For example, cultural symbols, calligraphic elements and festivities: all of these could be integrated into a Web design if applicable. A lake may just be a lake, but associating a fairy tale with a lake makes it prettier.”

    True, if you add a fairy tale and human touch to a lake, the user’s perception of it would change.

    Pizza Hut China, which is an example I like to use every time I explain cultural differences, uses Chinese elements heavily all over its website: in the color scheme and family theme. Warm reds and yellows are colors symbolic of festivity in China, and the family dinner is highly regarded in Chinese society.

    Image-pizzahut in Showcase Of Web Design In China: From Imitation To Innovation

    By comparison, Pizza Hut US highlights fast food and online ordering on its home page. Red is also Pizza Hut US’ theme color, but it’s more solid, darker and cooler than the warm red on the Chinese website.

    Image-pizzahut-us in Showcase Of Web Design In China: From Imitation To Innovation

    Same with McDonald’s China website, where one main menu is dedicated to the “Happy Family Party.”

    Image-mcdonalds in Showcase Of Web Design In China: From Imitation To Innovation

    Tong2 Studio has a unique look and feel with this traditional Chinese floral pattern on its background.

    Image-tong2studio in Showcase Of Web Design In China: From Imitation To Innovation

    Six Station, whose home page is a Chinese ink and watercolor painting in Flash, opens its creative and innovative mind to clients.

    Image-sixstation in Showcase Of Web Design In China: From Imitation To Innovation

    Dongpai Design, an interactive design studio, has an interesting mini-website that borrows from the “Three Kingdom” story (a period of Chinese history) to communicate its design philosophy and values.

    Image-doopaa in Showcase Of Web Design In China: From Imitation To Innovation

    While John Woo points out that incorporating national and cultural elements into design is not limited to the Web, he acknowledges the practicality of Chinese Web design—that designers will borrow anything that might be useful to them or their users.

    Want An Even Bigger Showcase?

    Not enough visuals for you? Here is a whole bunch of more websites to give you a better sense of design in China.

    UI Seven
    A design studio.

    Image-UI-Seven in Showcase Of Web Design In China: From Imitation To Innovation

    IDT
    A personal showcase that records the designer’s 12-year love affair with his girlfriend (now wife) and his own professional growth as the Web evolved during those years.

     in Showcase Of Web Design In China: From Imitation To Innovation

    Youguan Cookies
    Also uses Flash animation to promote its product line.

    Image-uguan in Showcase Of Web Design In China: From Imitation To Innovation

    Xin Hongru
    An interactive design agency that uses both Chinese elements and Flash to showcase its work.

    Image-xinhongru in Showcase Of Web Design In China: From Imitation To Innovation

    Thinkpad Edge
    A new product line of the Thinkpad laptop.

    Image-thinkpad-edge in Showcase Of Web Design In China: From Imitation To Innovation

    Moliyo MFM
    An online video game website, designed for clicks.

    China-1 in Showcase Of Web Design In China: From Imitation To Innovation

    361 Sports
    Borrows the theme of the 2010 Guangzhou Asian Games for its home page.

    Image-361-sports in Showcase Of Web Design In China: From Imitation To Innovation

    Dove Chocolate China
    Uses Chinese elements and the lunar New Year to decorate its home page.

    Image-dove in Showcase Of Web Design In China: From Imitation To Innovation

    BangbangWa
    A snack company whose website is rich in games and Flash.

    Image-bangbangwa in Showcase Of Web Design In China: From Imitation To Innovation

    Brain Town
    A personal portfolio website.

    Image-braintown in Showcase Of Web Design In China: From Imitation To Innovation

    ShuXia
    A platform to showcase the creations of members.

    Image-appletree in Showcase Of Web Design In China: From Imitation To Innovation

    Jossy Jo
    A clothing brand.

    Image-jossyjo in Showcase Of Web Design In China: From Imitation To Innovation

    Apsou
    An interactive consulting agency.

    Image-apsou in Showcase Of Web Design In China: From Imitation To Innovation

    Mole Lele
    A cartoonist’s personal website.

    Image-molelele in Showcase Of Web Design In China: From Imitation To Innovation

    WEBE7 Enterprise Network Interactive
    A portfolio website.

    Image-webe7 in Showcase Of Web Design In China: From Imitation To Innovation

    Sanshen Toscana
    A real-estate website that relies heavily on Flash.

    Image-sansheng in Showcase Of Web Design In China: From Imitation To Innovation

    Wotoon Design
    A design agency.

    Image-wotoon-design in Showcase Of Web Design In China: From Imitation To Innovation

    Shaopan Film Studio

    Image-shaopan in Showcase Of Web Design In China: From Imitation To Innovation

    X’mas Tree Workshop
    A mini games website where you can create your own Christmas tree and send it as an e-card to your friends.

    Image-xmastree in Showcase Of Web Design In China: From Imitation To Innovation

    The GF Space
    A design agency.

    Image-GFSpace in Showcase Of Web Design In China: From Imitation To Innovation

    HAHA DIY
    A neat website for DIY home ornaments.

    Image-HahaDIY in Showcase Of Web Design In China: From Imitation To Innovation

    Yimei Cross Stitch

    Image-yimei in Showcase Of Web Design In China: From Imitation To Innovation

    Happy Basket
    Designed for clicks.

    Image-happybasket in Showcase Of Web Design In China: From Imitation To Innovation

    WuHansoufang
    A pretty cool Flash website.

    Image-WuHansoufang in Showcase Of Web Design In China: From Imitation To Innovation

    Chateau Junding
    A domestic wine brand.

    Image-chateau-junding in Showcase Of Web Design In China: From Imitation To Innovation

    TIIDA
    Incorporates a family theme into its Flash design.

    Image-TIDA in Showcase Of Web Design In China: From Imitation To Innovation

    Magic Workshop
    A kids clothing company, using Flash-animated cartoons to capture the company’s culture.

    Image-magicworkshop in Showcase Of Web Design In China: From Imitation To Innovation

    JJ Ying
    A neat personal portfolio website.

    Image-JJYing in Showcase Of Web Design In China: From Imitation To Innovation

    Beijing Orange Advertising
    A creative showcase website.

    Image-orange in Showcase Of Web Design In China: From Imitation To Innovation

    Nescafe
    Another website rich in both games and Flash.

    Image-nescafe in Showcase Of Web Design In China: From Imitation To Innovation

    Yee Chino
    A restaurant.

    Image-YeeChino in Showcase Of Web Design In China: From Imitation To Innovation

    Gold Chino
    The sister restaurant of Yee Chino.

    Image-GoldChino in Showcase Of Web Design In China: From Imitation To Innovation

    Guoguo Diary
    A fairly simple but creative personal website.

    Image-guoguo in Showcase Of Web Design In China: From Imitation To Innovation

    Rancho Santa Fe
    A real-estate developer in Shanghai.

    Image-rancho-santa-fe in Showcase Of Web Design In China: From Imitation To Innovation

    Challenges, Opportunities, Trends

    Challenges

    When it comes to challenges in the Internet industry, one of the frustrations mentioned by Whitecrow, Junchen, Rex and Lytous is government censorship. YouTube, Twitter, Facebook, and Flickr are all blocked in China because some of their content is considered “inappropriate.” And for compliance purposes, “Sina Microblogging has a team of humans whose job is to censor content, in addition to machine filtering,” says Whitecrow.

    The international debate on how free and open the Internet should be is ongoing (see Nussbaum, 2010), and there is still no universal “policy” for the Internet. But without an open environment, China could be impeded from learning from and catching up to other countries.

    Still, every coin has two sides. “It limits your freedom,” says Whitecrow Zhu, “but meanwhile, it has a positive effect on UI design and content presentation. There is less room for gimmicks. It forces you to concentrate on useful content and how to present your content.”

    The other challenge mentioned by Junchen Wu and Rex Song was the lack of quality educational programs: “Vocational schools might teach you how to use Photoshop and Dreamweaver and how to code in HTML, CSS and JavaScript, but they may not teach you design thinking and the logic behind design. The World Wide Web is still young, and at higher-education institutions we have not seen any Information Architecture or User Experience Design degrees yet.”

    Our interviews did point to the fact that designers in China have not yet taken full advantage of rigorous research methodologies. Take what Junchen Wu said about the status quo of Chinese Web design: “Many designers know the concept, but they hardly include it in their design practices. They know of usability testing, but they rarely do it.”

    And in response to the question, “How do you convince stakeholders that a design is right?” Rex Song brought up the notion of “guanxi” and trust, and he thought the concept A/B and multivariate testing was “Western” and might yield a “low ROI.”

    This is understandable on the one hand, because China has a long history of interpretive reasoning, be it Confucianism or Daoism. On the other hand, Chinese Web designers in general have a long way to go in using hard data to back up their design choices.

    One might argue that the designer’s job is simply to design, the fact is that you need reasons to support your decisions that affect layout, color scheme, positioning of elements, user interaction and so on. Only “25% of the designers who relied on their personal opinion were right. A research study conducted by the Neilsen Norman Group (2009) concluded that “you’d be better off tossing a coin than asking advice of these people.” This cannot, of course, be said of everyone, but it speaks to the importance of data.

    Opportunities and Trends

    We were inspired in all six interviews by the discussion of the opportunities and trends in Chinese Web design.

    Question: What trends do you foresee in Chinese Web design?

    Yu Guo: E-commerce, I would say. Do you know Taobao? Some of my female colleagues have bought soy sauce, pickles and snacks that I’ve never heard of at Taobao. They love it. This is the market in China, and there is demand. I think every company should take advantage of it.

    [Authors' note: Taobao is one of the largest shopping platforms in China to connect buyers and sellers of "baobei" (treasures). Out of curiosity, we searched for chocolate on Taobao and found those seasonal truffles that are sold around Thanksgiving and Christmas exclusively at Costco, the largest warehouse membership club in the US.]

    Image-taobao-truffes in Showcase Of Web Design In China: From Imitation To Innovation

    Whitecrow Zhu: I think Web design in China is moving towards integrating more and more user-generated content. Douban, an online book and movie club, is a good example. Like YouTube, the majority of the website’s content is user-generated, and it has been pretty successful. Douban existed before YouTube, by the way.

    Image-douban in Showcase Of Web Design In China: From Imitation To Innovation

    Several years down the line, e-commerce in China will be in full bloom. E-commerce is not tied to any ideology other than simple economics and consumer interest. It has less of a chance of being censored, and people demand it.

    Junchen Wu: Creating more value for customers. Listen to what they say, look at what they do, do what they do and think what they think. My belief is that Chinese Web design is getting better and better, in an upward-spiral trend.

    Lytous Zhou: Focus on users and your service. I don’t think we’ll see anything unnecessarily extravagant, like crammed content and excessive visuals. Features, functionality, industry standards and meeting customer needs are the trends, I believe. And you’ve got to think outside of the box.

    John Woo: Functional, useful and usable. Making websites flashy, with lots of reds and greens, is absolutely unnecessary. Focus on user essentials and user needs. Though not a website, the Tianyu (KTouch) cell phone is very popular in China these days, and I bought six for my family: four with big font display and handwriting input for my parents and parents-in-law, one with 3x optical zoom and an 800 MP camera, and one that looks like lady’s powder case (see picture below). Tianyu was a “Shaizhai” manufacturer but is now a registered company with a pretty good share of China’s cell phone market. Why? It focuses on user essentials and basic needs. Websites are no different.

    [Authors' note: "Shanzhai" literally means "villages in the mountain with stockade houses." The use of shanzhai became popular with the outstanding sales of shanzhai cell phones. Although shanzhai companies do not use branding as a marketing strategy, they are known for their flexibility in design to meet specific market needs. Shanzhai cell phones can be sold at prices much lower than normal cell phones. (Wikipedia, 2010)]

    Image-tianyu in Showcase Of Web Design In China: From Imitation To Innovation

    Rex Song: In terms of online trends, we will develop our own Web design style using the backdrop of Chinese culture. Formatting-wise, we will be in line with the mainstream world, creating more user-centered designs and offering a better user experience.

    Wrapping Up

    The Web in China is young, and Chinese designers are playing catch-up. Despite the challenges, we see even more opportunities: smart people, a big market, increasing demand, flexibility and innovative and user-centered design thinking.

    On many Chinese websites, we’ve already seen the “upward-spiral trend from imitation to innovation and user-centered design”. Innovation in China is a constant goal. It is being pushed in President Hu Jingtao’s State speech all the way down to classroom curricula. Says Bruce Nussbaum (2009), “To its credit, China has made design a national priority and is pouring billions of yuan into design education.”

    Through our interviews, we also collected some resources that our designers would like to share with Smashing Magazine readers (including those in languages other than Chinese).

    Events

    • UCDChina Book Club Meetups
      These monthly meet-ups occur on the third Sunday of every month in China’s eight major cities: Beijing, Shanghai, Nanjing, Shenzhen, Guangzhou, Hangzhou, Xiamen and Chengdu. They set a topic for each month, and club members can borrow the books from UCDChina library and return them at the next meet-up.
    • UCDChina Annual Conference
      The first conference was held in Guangzhou in 2009. It’s free to attend.
    • UPA China Annual Conference
      The UPA China Chapter conference, different from UPA International. The conference is usually held on “Usability Day” every year.
    • Designer and Developer Front End Technology Forum
      A biannual forum for designers and front-end developers in China.

    Books, Blogs and Online Resources

    Your Voice Is Important to Us

    What do you think about the Web design in China? We couldn’t cover everything in one post, and we are sure we have missed some perspectives. We look forward to hearing your feedback!

    Related Posts

    You may be interested in the following related posts:

    About the Authors

    This guest post was written by Kejun Xu and Hendry Lee.

    Kejun Xu, an information architect devoted to user experience research; a user researcher dedicated to user-centered design; a usability engineer engaged in making the Web easier to use; and a translator and interpreter who loves inter-cultural communication and bridging people together. She designs for her users, making their lives easier and hassle-free. She blogs once a while, about UXRnD, to record the auto parts and loose diamonds, in case she forgets.

    Henry Lee helps people overcome strategic and technical challenges in starting and growing their blogs. Read more of his blog tips, including website building with blog software, strategies, hosting, social media, Web writing, design and more. You can also hire his team at Marketing Loop to build a Web presence for your business or personal website. Stay in touch with Hendry by following him on Twitter.

    (al)


    © Kejun Xu for Smashing Magazine, 2010. | Permalink | 125 comments | Add to del.icio.us | Digg this | Stumble on StumbleUpon! | Tweet it! | Submit to Reddit | Forum Smashing Magazine
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by admin

50 Fantastic Favicons: Episode 9

March 17, 2010 in Featured weBlogs by admin


  • Smashing-magazine-advertisement in 50 Fantastic Favicons: Episode 9
     in 50 Fantastic Favicons: Episode 9  in 50 Fantastic Favicons: Episode 9  in 50 Fantastic Favicons: Episode 9

    Every now and again we showcase fantastic favicons, those tiny pieces of art that you’ll find in your browser’s address bar or when rifling through your bookmarks. These little gems are important because they serve as visual indicators to help visitors easily identify content in their browser. That aside, favicons are just nice to look at, and way too many websites don’t make use of them. We want to change that, which is why we are presenting what is now the ninth episode in our favicons series: a small article with tiny images and fast loading time… for a change.

    Illu Favicon09 in 50 Fantastic Favicons: Episode 9

    We’ve written numerous articles about favicons in the past. If you’d like to find out more, feel free to look at these posts:

    Any picture’s merit is debatable. But notice that these favicons were chosen not simply for their beauty and originality; it was important to us also that each fit the overall website design and logo. Pay attention to the details of the design.

    All favicons are linked, of course, to the websites from where they were taken (if they still exist). Click on them to get more insight into how favicon design relates to overall layout design. The order here does not indicate any ranking.

    Tableau in 50 Fantastic Favicons: Episode 9 Tableau Public
    Gnash in 50 Fantastic Favicons: Episode 9 Gnash Project
    Toproundups in 50 Fantastic Favicons: Episode 9 Top Roundups
    Elastic in 50 Fantastic Favicons: Episode 9 Elastic Tabstops
    Landing in 50 Fantastic Favicons: Episode 9 i-on interactive
    Arc in 50 Fantastic Favicons: Episode 9 Arc Technology Group
    Kodingen in 50 Fantastic Favicons: Episode 9 Kodingen
    Slv-rent in 50 Fantastic Favicons: Episode 9 Sound Light Vision
    Highcharts in 50 Fantastic Favicons: Episode 9 Highcharts
    Faces in 50 Fantastic Favicons: Episode 9 Faces
    Photoscape in 50 Fantastic Favicons: Episode 9 Photoscape
    London in 50 Fantastic Favicons: Episode 9 London Reviews
    Openfaces in 50 Fantastic Favicons: Episode 9 Open Faces
    Rocket in 50 Fantastic Favicons: Episode 9 RocketTheme
    Techbridge in 50 Fantastic Favicons: Episode 9 Techbridge
    Softexpansion in 50 Fantastic Favicons: Episode 9 Soft eXpansion
    Screwturn in 50 Fantastic Favicons: Episode 9 Screwturn Wiki
    Nimbupani in 50 Fantastic Favicons: Episode 9 Nimbupani
    Spoonjuice in 50 Fantastic Favicons: Episode 9 Spoonjuice
    Unifreiburg in 50 Fantastic Favicons: Episode 9 Universität Freiburg
    Paragon in 50 Fantastic Favicons: Episode 9 Paragon Software
    Imasters in 50 Fantastic Favicons: Episode 9 iMasters
    Techeblog in 50 Fantastic Favicons: Episode 9 TechEBlog
    Fitbit in 50 Fantastic Favicons: Episode 9 FitBit
    Dropbox in 50 Fantastic Favicons: Episode 9 DropBox
    Axialis in 50 Fantastic Favicons: Episode 9 Axialis
    Swebapps in 50 Fantastic Favicons: Episode 9 Swebapps
    Acquia1 in 50 Fantastic Favicons: Episode 9 Acquia
    Snipt in 50 Fantastic Favicons: Episode 9 Snipt
    Mix in 50 Fantastic Favicons: Episode 9 MIX Online
    Second in 50 Fantastic Favicons: Episode 9 Second Market
    Openx in 50 Fantastic Favicons: Episode 9 Open X
    Filemail in 50 Fantastic Favicons: Episode 9 Filemail
    55eleven in 50 Fantastic Favicons: Episode 9 55Eleven
    Onehub in 50 Fantastic Favicons: Episode 9 Onehub
    Projectbubble in 50 Fantastic Favicons: Episode 9 Projectbubble
    Projektwerk in 50 Fantastic Favicons: Episode 9 Projektwerk
    Medienlab in 50 Fantastic Favicons: Episode 9 Medienlab
    Iconshock in 50 Fantastic Favicons: Episode 9 Iconshock
    Splitweed in 50 Fantastic Favicons: Episode 9 Splitweed
    Goby in 50 Fantastic Favicons: Episode 9 Goby
    M1 in 50 Fantastic Favicons: Episode 9 M1 Design
    Pagestat in 50 Fantastic Favicons: Episode 9 PageStat
    Commadot in 50 Fantastic Favicons: Episode 9 Commadot
    Babbelblog in 50 Fantastic Favicons: Episode 9 Babbelblog
    Tammyhart in 50 Fantastic Favicons: Episode 9 Tammy Hart
    Toufee in 50 Fantastic Favicons: Episode 9 Toufee
    Lion in 50 Fantastic Favicons: Episode 9 Lion Framework
    Highbeam in 50 Fantastic Favicons: Episode 9 High Beam
    Mixxt in 50 Fantastic Favicons: Episode 9 Mixxt
    Cmsexpo in 50 Fantastic Favicons: Episode 9 CMSExpo

    And finally, all the favicons in one picture:

    All in 50 Fantastic Favicons: Episode 9

    (al)


    © Sven Lennartz for Smashing Magazine, 2010. | Permalink | 59 comments | Add to del.icio.us | Digg this | Stumble on StumbleUpon! | Tweet it! | Submit to Reddit | Forum Smashing Magazine
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by admin

Plasticine Art Showcase: Shape Your Imagination

March 17, 2010 in Featured weBlogs by admin